古比特佛像网, 编号: 文殊菩萨:文殊菩萨092
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文殊菩萨:文殊菩萨092 [2020/04/16 11:30] artemis 创建 |
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| =====11世纪印度帕拉合金铜镀金说法文殊菩萨骑狮像(纽约亚洲协会博物馆)===== | =====11世纪印度帕拉合金铜镀金说法文殊菩萨骑狮像(纽约亚洲协会博物馆)===== | ||
| {{tag> 主题: | {{tag> 主题: | ||
| - | ~~PAGEIMAGE:<: | + | ~~PAGEIMAGE:<: |
| **尺寸：高14cm\\ | **尺寸：高14cm\\ | ||
| 年代：11世纪\\ | 年代：11世纪\\ | ||
| 行 7: | 行 7: | ||
| 风格：印度 帕拉\\ | 风格：印度 帕拉\\ | ||
| 来源：纽约亚洲协会博物馆\\ | 来源：纽约亚洲协会博物馆\\ | ||
| - | 参阅：AMICA ID: ASIA.1979.035 \\ | + | 参阅：[[http://museum.asiasociety.org/ |
| 鉴赏：**\\ | 鉴赏：**\\ | ||
| {{ : | {{ : | ||
| - | Bodhisattva Manjushri Seated on a Lion | + | Bodhisattva Manjushri Seated on a Lion\\ |
| + | 古比特佛像网, | ||
| One of the longest lasting and most important Buddhist cultures of India developed and flourished in eastern India from the 8th to the 12th centuries. During this period, Bihar and Bengal--present-day West Bengal state and the nation of Bangladesh--were primarily under the control of the Pala family. However, various other families, in particular the Senas, also controlled smaller sections of this region at different times. Monks from all over Asia traveled to eastern India to study Buddhism at the famous monasteries there. As a result, the influence of Pala-style art spread throughout Asia. Pala contributions to Buddhist art include the development of a new figural type, which was loosely based on prototypes developed during the Gupta period (c. 320-c. 500) in north and north-central India, and the evolution of a more complicated iconography that illustrates contemporary changes in Buddhist thought. | One of the longest lasting and most important Buddhist cultures of India developed and flourished in eastern India from the 8th to the 12th centuries. During this period, Bihar and Bengal--present-day West Bengal state and the nation of Bangladesh--were primarily under the control of the Pala family. However, various other families, in particular the Senas, also controlled smaller sections of this region at different times. Monks from all over Asia traveled to eastern India to study Buddhism at the famous monasteries there. As a result, the influence of Pala-style art spread throughout Asia. Pala contributions to Buddhist art include the development of a new figural type, which was loosely based on prototypes developed during the Gupta period (c. 320-c. 500) in north and north-central India, and the evolution of a more complicated iconography that illustrates contemporary changes in Buddhist thought. | ||
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