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文殊菩萨:文殊菩萨311 [2020/05/04 04:14] artemis 创建 |
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- | =====明代合金铜文殊菩萨骑狮坐像(中国嘉德)===== | + | =====宋代合金铜文殊菩萨骑狮坐像(中国嘉德)(香港苏富比)===== |
- | {{tag> 主题: | + | {{tag> 主题: |
~~PAGEIMAGE:<: | ~~PAGEIMAGE:<: | ||
**尺寸:高17.3cm\\ | **尺寸:高17.3cm\\ | ||
- | 年代:明代\\ | + | 年代:宋代\\ |
质地:合金铜\\ | 质地:合金铜\\ | ||
风格:中原\\ | 风格:中原\\ | ||
来源:拍卖会\\ | 来源:拍卖会\\ | ||
- | 成交:391, | + | 成交:391, |
- | 参阅:[[http:// | + | 参阅:[[http:// |
鉴赏:**\\ | 鉴赏:**\\ | ||
{{ : | {{ : | ||
+ | {{ : | ||
菩萨双目微闭,凝神平视。右手上抬,手握经书,自在坐于莲花座,座下长柱连接狮子背上;狮子昂首阔步,壮健雄伟,张口作怒吼状,更衬托了菩萨的安详持重。菩萨面庞饱满,丰颊阔目,有唐代造像之遗风。整像刀工稳健利落,线条流畅,富艺术美感。狮背覆一锦垫,以鱼籽地花卉纹装饰,体现了晚唐以金银器装饰图案装饰器物之风。总之,此像神采奕奕,细节丰富,富有时代特征。与本像尺寸和形制上几乎完全一致的两尊文殊骑狮像分别收藏于上海博物馆以及美国克利夫兰美术馆,其中上海博物馆所藏憾失底座,更显此像难得。 | 菩萨双目微闭,凝神平视。右手上抬,手握经书,自在坐于莲花座,座下长柱连接狮子背上;狮子昂首阔步,壮健雄伟,张口作怒吼状,更衬托了菩萨的安详持重。菩萨面庞饱满,丰颊阔目,有唐代造像之遗风。整像刀工稳健利落,线条流畅,富艺术美感。狮背覆一锦垫,以鱼籽地花卉纹装饰,体现了晚唐以金银器装饰图案装饰器物之风。总之,此像神采奕奕,细节丰富,富有时代特征。与本像尺寸和形制上几乎完全一致的两尊文殊骑狮像分别收藏于上海博物馆以及美国克利夫兰美术馆,其中上海博物馆所藏憾失底座,更显此像难得。 | ||
参阅:美国克利夫兰美术馆藏,合金铜文殊骑狮像(高17cm),John L. Severance Fund 1974.90 \\ | 参阅:美国克利夫兰美术馆藏,合金铜文殊骑狮像(高17cm),John L. Severance Fund 1974.90 \\ | ||
古比特佛像网, | 古比特佛像网, | ||
+ | |||
+ | ---- | ||
+ | A BRONZE FIGURE OF SIMHANADA MANJUSHRI\\ | ||
+ | SONG DYNASTY\\ | ||
+ | cast seated in lalitasana with the right leg raised, the right arm raised before the chest, wearing loose robes falling into voluminous folds, the serene face flanked by a pair of long pendulous ears and crowned by a five-leaf diadem, riding on a lotus flower supported on a caparisoned Buddhist lion with its head turned to its left, its large bulging eyes, thick eyebrows and mane meticulously rendered, all raised on a stepped rectangular base with four bracketed feet\\ | ||
+ | 17.2 cm, 6 3/4 in. | ||
+ | |||
+ | 品相报告: | ||
+ | As visible in the catalogue photo, there is extensive malachite-green encrustation to the surface. The left hand is broken off, and there is also a small break to the support below the lotus base, and a minute loss to the tail. Other general bruising and surface wear. | ||
+ | |||
+ | |||
+ | Catalogue Note\\ | ||
+ | The structure and composition of this figure is closely related to a bronze figure of the bodhisattva Samantabhadra, | ||
+ | |||
+ | See also a smaller Tang dynasty gilt-bronze prototype, previously exhibited at the Kubuso Museum, Japan, 1993, sold in our New York rooms, 20th March 2007, lot 735. | ||
+ |