古比特佛像网, 编号: 观音菩萨:观音菩萨105
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观音菩萨:观音菩萨105 [2019/12/27 08:23] artemis |
观音菩萨:观音菩萨105 [2022/02/27 10:58] (当前版本) |
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| =====北齐砂岩彩绘观音菩萨立像(纽约大都会博物馆)===== | =====北齐砂岩彩绘观音菩萨立像(纽约大都会博物馆)===== | ||
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| **尺寸：像高419.1厘米 含基座高449.6厘米\\ | **尺寸：像高419.1厘米 含基座高449.6厘米\\ | ||
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| 参阅：[[https:// | 参阅：[[https:// | ||
| 鉴赏：**\\ | 鉴赏：**\\ | ||
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| 美国大都会博物馆的中国展厅内，有一尊巨大的北齐彩绘石雕观音菩萨立像，像高竟达419.1厘米，在博物馆室内展出的如此高大的圆雕石像世所罕见。博物馆资料显示此像出自山西，不知是否来自云岗石窟。但从面部特征来看似乎有山西石雕的特点。菩萨面形清秀消瘦、长颈、肩窄且下削，这种造像为北魏晚期推行“汉化”改革，出现的一种清新典雅“秀骨清像”的艺术形象，成为北魏后期佛教造像显著特点。 | 美国大都会博物馆的中国展厅内，有一尊巨大的北齐彩绘石雕观音菩萨立像，像高竟达419.1厘米，在博物馆室内展出的如此高大的圆雕石像世所罕见。博物馆资料显示此像出自山西，不知是否来自云岗石窟。但从面部特征来看似乎有山西石雕的特点。菩萨面形清秀消瘦、长颈、肩窄且下削，这种造像为北魏晚期推行“汉化”改革，出现的一种清新典雅“秀骨清像”的艺术形象，成为北魏后期佛教造像显著特点。 | ||
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| Large-scale sculptures of bodhisattvas wearing extraordinary jewelry epitomize stylistic and iconographic innovations in Chinese sculpture from the second half of the sixth century. The astonishing jeweled harness adorning this bodhisattva is made up of two long strands of pearl-like clusters and multifaceted beads. Some elements, such as the triangular pendants, have Chinese precedents. Others, such as the pearl cabochons, derive from Central Asian traditions. The appearance of such elaborately figural sculptures, which later became standard in Chinese Buddhist art, attests to a growing devotion to Avalokiteshvara in the second half of the sixth century. It is possible that the jewels refer to a passage in the Lotus Sutra in which the historical Buddha Shakyamuni and another bodhisattva extol Avalokiteshvara’s great compassion and presents him with a pearl necklace as a symbol of his benevolence. | Large-scale sculptures of bodhisattvas wearing extraordinary jewelry epitomize stylistic and iconographic innovations in Chinese sculpture from the second half of the sixth century. The astonishing jeweled harness adorning this bodhisattva is made up of two long strands of pearl-like clusters and multifaceted beads. Some elements, such as the triangular pendants, have Chinese precedents. Others, such as the pearl cabochons, derive from Central Asian traditions. The appearance of such elaborately figural sculptures, which later became standard in Chinese Buddhist art, attests to a growing devotion to Avalokiteshvara in the second half of the sixth century. It is possible that the jewels refer to a passage in the Lotus Sutra in which the historical Buddha Shakyamuni and another bodhisattva extol Avalokiteshvara’s great compassion and presents him with a pearl necklace as a symbol of his benevolence. | ||
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