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--- 财续佛母:财续佛母057 [2020/03/27 12:24]
artemis
+++ 财续佛母:财续佛母057 [2022/02/27 10:58] (当前版本)
@@ 行 7: / 行 7: @@
 风格：尼泊尔\\
 来源：拍卖会\\
-成交价：2,750,625港元(2019.10)\\
+成交：2,750,625港元(2019.10)\\
 参阅：[[https://www.bonhams.com/auctions/25283/lot/925/|香港邦瀚斯]]\\
 鉴赏：**\\
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 來源\\
 加拿大私人珍藏
+A GILT COPPER FIGURE OF VASUDHARA\\
+NEPAL, CIRCA 11TH CENTURY\\
+Himalayan Art Resources item no.16705
+Vasudhara, whose name means "Bearer of Treasure", is a Buddhist goddess particularly revered in Nepal. Represented as an attractive young girl, she holds a sutra, a sheaf of grain, a vase containing an elixir of immortality, and a wish-fulling gem, while a remaining hand displays the gesture of charity. The sutra in her hand associates her with Prajnaparamita, the goddess of wisdom, while the other attributes signify her role as an all-encompassing purveyor of wealth and prosperity.
+The bronze's circa 11th-century date is suggested by various stylistic details, including the soft and sensuous modeling, the sharply defined facial features, the high armbands, and the comparatively restrained ornamentation. The diaphanous scarf crossing her chest and forming a loop over her left shoulder is also characteristic of Nepalese bronzes of this period. So are the dotted patterns within parallel sections on her lower garment. All of these elements are shared by a gilt bronze Vasudhara, dated by inscription to 1082 CE (Pal, Where the Gods are Young, New York, 1975, p.57, no.41).
+The present lot is also closely related to two other circa 11th-century Vasudhara figures, one in the Los Angeles County Museum of Art (Pal, Art of Nepal, Los Angeles, 1985, p.101-2, no.S21), and the other in the Palace Museum, Beijing (Luo, Iconography and Styles: Tibetan Statues in the Palace Museum, Beijing, 2002, p.383, no.168). In addition to their similar body and facial type, the hair of all three figures is neatly arranged into two large buns on either side of a bejeweled crown with prominent central leaf. Moreover, they also wear similar lozenge-shaped earrings and belts with a long central sash. Furthermore, the flower roundel design on the cushion of the current bronze is reproduced on the lower garment of the LACMA figure.
+The soft triangular cushion with incised roundels is a stylistic program common to Nepalese bronzes of the 9th to 11th centuries. This is attested to by a c.9th-century Manjushri in the Norton Simon Museum (Pal, Art from the Himalayas and China, Pasadena, 2003, p.66-7, no.39), and an 11th-century four-armed goddess in the Palace Museum, Beijing ( Zang chuan fo jiao zao xiang, Hong Kong, 2008, p.81, no.78). The present Vasudhara would have been placed on a separately-cast rectangular throne like the Palace Museum bronze. For other related 10th-11th century Nepalese bronzes, see Pal, Himalayas: An Aesthetic Adventure, Chicago, 2003, pp.36 & 43, nos.12 & 19.
+Provenance\\
+Private Canadian Collection

古比特佛像网, 编号: 财续佛母:财续佛母057

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