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古比特佛像网, 编号: 释迦牟尼佛:释迦牟尼佛028

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11世纪西藏西部托林寺细密画释迦牟尼佛说法坐像(克利夫兰艺术博物馆)

尺寸:11.6 x 10.7 cm
年代:11世纪
质地:细密画(Miniature votive painting (tsai-kali); ink, color, and gold on paper)
风格:西藏西部 托林寺
来源:克利夫兰艺术博物馆
参阅:外部链接
鉴赏:

Preaching Sakyamuni
1000s
Western Tibet, Toling Monastery, 11th century

Description
Buddhism was introduced to Tibet in the 7th century, but the persecution that followed in the 9th and 10th centuries destroyed all artifacts of the period. Consequently the earliest existing Buddhist art from Tibet dates to the 11th and 12th centuries, the so-called period of the Second Diffusion of Buddhism, yet few 11th- or 12th-century paintings survive. This miniature painting is one of these rare paintings. Not a manuscript illustration, it was conceived as a separate votive painting, a so-called tsa-kali. It was recovered from the Tholing Monastery, which was founded by Rinchensangpo (958-1055), the famous translator of Buddhist scriptures, who acted on the order of Yesheö, the king of Guge. Yesheö was also the father of “Lhatsun Nagaraja” (active 998-1026) whose name is inscribed on the museum's early Himalayan bronze statue of a Standing Buddha (1966.30)—one of the most important and beautiful Himalayan bronzes to survive. The museum's collection includes another important sculpture from the western Himalayas: the colorful wooden sculpture of a Seated Buddha (1986.6). The two sculptures date from the 11th century and provide a meaningful comparison with this painting, which replicates their style.

Citations
Cleveland Museum of Art, “Recent Acquisitions Press Release,” October 6, 2000, Cleveland Museum of Art Archives. Mentioned: p. 2-3 archive.org

Exhibition history
Cleveland, Ohio: The Cleveland Museum of Art; April 24-June 24, 2001. “Object in Focus: Toward a Definition of an 'Early Western' Tibetan Style.”
MOCA Cleveland (6/9/2006 - 8/20/2006): “The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art”, no. 15, p. 116, color repr. p. 30.
Object in Focus: Toward a Definition of an Early “Western Tibetan” Style. The Cleveland Museum of Art (organizer) (April 24-June 24, 2001).
The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).

古比特佛像网, 编号: 释迦牟尼佛:释迦牟尼佛028
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