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--- 释迦牟尼佛:释迦牟尼佛087 [2020/01/05 11:53]
artemis
+++ 释迦牟尼佛:释迦牟尼佛087 [2022/02/27 10:58] (当前版本)
@@ 行 1: / 行 1: @@
 =====6-7世纪印度笈多风格合金铜释迦牟尼佛立像(纽约大都会博物馆)=====
-{{tag> 主题:释迦牟尼佛 材质:金铜 尺寸:30-50cm 年代:6世纪 风格:笈多 风格:印度 来源:纽约大都会博物馆 释迦牟尼佛:立像}}
+{{tag> 主题:释迦牟尼佛 材质:金铜 尺寸:30-50cm 年代:6世纪 年代:7世纪 风格:笈多 风格:印度 来源:纽约大都会博物馆 释迦牟尼佛:立像}}
 ~~PAGEIMAGE:<:释迦牟尼佛:271785.jpg>~~
 **尺寸：H. 18 1/2 in. (47 cm); W. 6 1/8 in. (15.6 cm); D. 5 5/8 in. (14.3 cm)\\
-年代：6世纪末-7世纪初 Gupta period\\
+年代：6世纪末-7世纪初(Gupta period)\\
 质地：合金铜\\
 风格：印度 笈多\\
@@ 行 9: / 行 9: @@
 参阅：[[https://www.metmuseum.org/art/collection/search/38965|外部链接]]\\
 鉴赏：**\\
-This Buddha image embodies the qualities of inner radiant calm and stillness, the products of supreme wisdom. He dispenses reassurance and protection to his followers with a raised hand held in abhaya-mudra, the ‘fear not’ gesture. The Buddha is robed in the simple uncut cloth of a monk, gracefully drawn around the body so as to define form, to create an image that is at once ethereal and sensuous. A state of Buddhahood is defined iconographically by the presence of a series of auspicious markings (lakshanas): here we see the attenuated earlobes, protruding skull and webbing between the fingers. Taken together these features, both natural and supernatural, denote preordained sanctity and a state of Buddhahood. Few metal Buddha images survived the collapsed of monastic Buddhism in the late 12th century, and most that are preserved did so in Tibet, where they had been spirited away for safety in the medieval period.
-Enlightened Technology: Radiographing an Image of the Buddha: https://www.metmuseum.org/about-the-met/conservation-and-scientific-research/projects/3d-xray-gupta-bronze-buddha
 {{ :释迦牟尼佛:271785.jpg?direct&600 |}}
+可参阅非常相似的一尊:[[释迦牟尼佛:释迦牟尼佛242|6-7世纪印度笈多风格合金铜释迦牟尼佛立像(伦敦V&A博物馆)]]
+This Buddha image embodies the qualities of inner radiant calm and stillness, the products of supreme wisdom. He dispenses reassurance and protection to his followers with a raised hand held in abhaya-mudra, the ‘fear not’ gesture. The Buddha is robed in the simple uncut cloth of a monk, gracefully drawn around the body so as to define form, to create an image that is at once ethereal (优雅的) and sensuous. A state of Buddhahood(成佛) is defined iconographically by the presence of a series of auspicious(吉祥的) markings (lakshanas): here we see the attenuated earlobes, protruding skull and webbing between the fingers. Taken together these features, both natural and supernatural, denote preordained sanctity and a state of Buddhahood. Few metal Buddha images survived the collapsed of monastic Buddhism in the late 12th century, and most that are preserved did so in Tibet, where they had been spirited away for safety in the medieval period.
+Enlightened Technology: Radiographing an Image of the Buddha: [[https://www.metmuseum.org/about-the-met/conservation-and-scientific-research/projects/3d-xray-gupta-bronze-buddha|对此尊佛像的3D-X光成像]]

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