古比特佛像网, 编号: 释迦牟尼佛:释迦牟尼佛089

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--- 释迦牟尼佛:释迦牟尼佛089 [2020/11/15 14:46]
127.0.0.1 外部编辑
+++ 释迦牟尼佛:释迦牟尼佛089 [2022/02/27 10:58] (当前版本)
@@ 行 1: / 行 1: @@
 =====12世纪西藏黄铜彩绘释迦牟尼佛成道像(纽约大都会博物馆)=====
-{{tag> 主题:释迦牟尼佛 材质:金铜 尺寸:30-50cm 年代:12世纪 风格:西藏 来源:纽约大都会博物馆 释迦牟尼佛:成道像}}
+{{tag> 主题:释迦牟尼佛 材质:金铜 尺寸:30-50cm 年代:12世纪 风格:西藏 风格:藏中 来源:纽约大都会博物馆 释迦牟尼佛:成道像}}
 ~~PAGEIMAGE:<:释迦牟尼佛:dp-15581-015.jpg>~~
 **尺寸：H. 15 1/2 in. (39.4 cm); W. 10 7/16 in. (26.5 cm); D. 8 5/8 in. (21.9 cm)\\
@@ 行 9: / 行 9: @@
 参阅：[[https://www.metmuseum.org/art/collection/search/78191|外部链接]]\\
 鉴赏：**\\
-In this sublime and exceedingly rare early medieval depiction of the historical Buddha he is seen seated in a yogic meditation posture, with his right hand lowered and gesturing to the Earth Goddess at the moment prior to his enlightenment, when he steadfastly resistance all the temptations of desire. He displays a number of the auspicious marks of Buddhahood (lakshanas): the extended earlobes, which serve to remind the viewer of the Buddha’s former princely status; the three rings on the neck; the forehead mark (urna, a curl of hair according to texts); and the highly pronounced skull protuberance (ushnisha,肉髻或顶髻). The presence of a flame-like projection surmounting the ushnisha is a rare and significant feature, for although it has a textual foundation, it is rarely represented in Tibetan or indeed Indian Buddhist art. The figure has a refined and smooth surface, with traces of gilding on the face and neck. Skillfully articulated fingers and toes add a poignantly human dimension to this otherwise rather abstracted and ethereal Buddha image. The subtle hint of a smile and the downcast expression masterfully capture the inner calm of Buddhahood and awakened bliss.
 {{ :释迦牟尼佛:dp-15581-015.jpg?direct&600 |}}
+In this sublime and exceedingly rare early medieval depiction of the historical Buddha he is seen seated in a yogic meditation posture, with his right hand lowered and gesturing to the Earth Goddess at the moment prior to his enlightenment, when he steadfastly resistance all the temptations of desire. He displays a number of the auspicious marks of Buddhahood (lakshanas): the extended earlobes, which serve to remind the viewer of the Buddha’s former princely status; the three rings on the neck; the forehead mark (urna, a curl of hair according to texts); and the highly pronounced skull protuberance (ushnisha,肉髻或顶髻). The presence of a flame-like projection surmounting the ushnisha is a rare and significant feature, for although it has a textual foundation, it is rarely represented in Tibetan or indeed Indian Buddhist art. The figure has a refined and smooth surface, with traces of gilding on the face and neck. Skillfully articulated fingers and toes add a poignantly human dimension to this otherwise rather abstracted and ethereal Buddha image. The subtle hint of a smile and the downcast expression masterfully capture the inner calm of Buddhahood and awakened bliss.

古比特佛像网, 编号: 释迦牟尼佛:释迦牟尼佛089

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