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释迦牟尼佛:释迦牟尼佛373 [2021/10/14 05:37] artemis 创建 |
释迦牟尼佛:释迦牟尼佛373 [2022/02/27 10:58] (当前版本) |
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=====13-14世纪尼泊尔西部迦舍末罗王朝铜鎏金释迦牟尼佛(香港邦瀚斯)===== | =====13-14世纪尼泊尔西部迦舍末罗王朝铜鎏金释迦牟尼佛(香港邦瀚斯)===== | ||
- | {{tag> 主题: | + | {{tag> 主题: |
~~PAGEIMAGE:<: | ~~PAGEIMAGE:<: | ||
- | **尺寸:高25 cm\\ | + | **尺寸:高25cm\\ |
年代:13-14世纪\\ | 年代:13-14世纪\\ | ||
质地:铜鎏金\\ | 质地:铜鎏金\\ | ||
风格:尼泊尔 迦舍末罗 (Khasa Malla Kingdom)\\ | 风格:尼泊尔 迦舍末罗 (Khasa Malla Kingdom)\\ | ||
- | 来源:香港邦瀚斯\\ | + | 来源:拍卖会\\ |
+ | 成交:2, | ||
参阅:[[https:// | 参阅:[[https:// | ||
鉴赏:**\\ | 鉴赏:**\\ | ||
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{{ : | {{ : | ||
+ | 可以参阅相似的一尊: | ||
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A GILT COPPER ALLOY FIGURE OF SHAKYAMUNI\\ | A GILT COPPER ALLOY FIGURE OF SHAKYAMUNI\\ | ||
KHASA MALLA, 13TH/14TH CENTURY\\ | KHASA MALLA, 13TH/14TH CENTURY\\ | ||
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Of impressive figural volume and quality, this gilt bronze figure of Shakyamuni stems from the Khasa Malla Kingdom, which ruled over the Karnali Basin in western Nepal and parts of western Tibet between the 12th and 14th centuries. The Khasa Malla rulers were devout Buddhist patrons whose artistic commissions display a distinct stylistic identity. | Of impressive figural volume and quality, this gilt bronze figure of Shakyamuni stems from the Khasa Malla Kingdom, which ruled over the Karnali Basin in western Nepal and parts of western Tibet between the 12th and 14th centuries. The Khasa Malla rulers were devout Buddhist patrons whose artistic commissions display a distinct stylistic identity. | ||
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The arts of the Khasa Mallas incorporated stylistic elements from the neighboring cultures of western Tibet, Pala India, and the Kathmandu Valley. Due to their sustained interaction with the Valley, the Khasa Mallas benefitted most from Newari designs and expertise. The naturalistic and sensuous modeling of the present figure, for instance, is a hallmark of the Newari style. The notable losses to the gilded surface, caused by thin application and frequent rubbing during devotional practice, are also similar to those of gilt bronzes from the Kathmandu Valley. | The arts of the Khasa Mallas incorporated stylistic elements from the neighboring cultures of western Tibet, Pala India, and the Kathmandu Valley. Due to their sustained interaction with the Valley, the Khasa Mallas benefitted most from Newari designs and expertise. The naturalistic and sensuous modeling of the present figure, for instance, is a hallmark of the Newari style. The notable losses to the gilded surface, caused by thin application and frequent rubbing during devotional practice, are also similar to those of gilt bronzes from the Kathmandu Valley. | ||