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金刚手菩萨:金刚手菩萨029 [2020/11/15 14:48] 127.0.0.1 外部编辑 |
金刚手菩萨:金刚手菩萨029 [2022/02/27 10:58] (当前版本) |
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- | =====15世纪西藏唐卡大轮金刚手(美国鲁宾艺术博物馆)===== | + | =====15世纪西藏(汉藏)唐卡大轮金刚手菩萨(美国鲁宾艺术博物馆)===== |
- | {{tag> 主题: | + | {{tag> 主题: |
~~PAGEIMAGE:<: | ~~PAGEIMAGE:<: | ||
**尺寸:28 1/4 x 22 3/4 in \\ | **尺寸:28 1/4 x 22 3/4 in \\ | ||
年代:15世纪\\ | 年代:15世纪\\ | ||
质地:唐卡(Silk, | 质地:唐卡(Silk, | ||
- | 风格:西藏\\ | + | 风格:西藏 汉藏\\ |
来源:美国鲁宾艺术博物馆\\ | 来源:美国鲁宾艺术博物馆\\ | ||
参阅:[[https:// | 参阅:[[https:// | ||
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{{ : | {{ : | ||
Tibetan Buddhism played a prominent role in the courts of the Mongolian Yuan (1279–1638) and early Chinese Ming (1368–1644) dynasties, resulting in the creation of Tibetan Buddhist art in the imperial ateliers. Here a Tibetan composition depicting a wrathful form of the deity Vajrapani deity has been re-created in the Chinese medium of silk embroidery. Fourteenth-century Tibetan lotus and vase columns featuring eagles (garuda), snakes (naga), and seamonsters (makara) are combined with Chinese-style clouds holding disks that present Vajrapani’s mantra, “om vajrapani hum phat,” in Tibetan script. Small coral beads and seed pearls are stiched into the central deity’s ornaments. | Tibetan Buddhism played a prominent role in the courts of the Mongolian Yuan (1279–1638) and early Chinese Ming (1368–1644) dynasties, resulting in the creation of Tibetan Buddhist art in the imperial ateliers. Here a Tibetan composition depicting a wrathful form of the deity Vajrapani deity has been re-created in the Chinese medium of silk embroidery. Fourteenth-century Tibetan lotus and vase columns featuring eagles (garuda), snakes (naga), and seamonsters (makara) are combined with Chinese-style clouds holding disks that present Vajrapani’s mantra, “om vajrapani hum phat,” in Tibetan script. Small coral beads and seed pearls are stiched into the central deity’s ornaments. | ||
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