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古比特佛像网, 编号: 金刚萨埵:金刚萨埵018

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两侧同时换到之前的修订记录 前一修订版
后一修订版 		前一修订版
金刚萨埵:金刚萨埵018 [2020/06/19 11:45]
artemis 		金刚萨埵:金刚萨埵018 [2022/02/27 10:58] (当前版本)
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 ~~PAGEIMAGE:<:金刚萨埵:018-1.jpg>~~ ~~PAGEIMAGE:<:金刚萨埵:018-1.jpg>~~
 **尺寸：未装裱尺寸 60.33 × 35.56 cm\\ **尺寸：未装裱尺寸 60.33 × 35.56 cm\\
-年代：11世纪(1075年)\\+年代：11世纪晚期\\
 质地：唐卡(opaque watercolor on cloth)\\ 质地：唐卡(opaque watercolor on cloth)\\
 风格：西藏中部\\ 风格：西藏中部\\
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 {{ :金刚萨埵:018-5.jpg?direct&600 |}} {{ :金刚萨埵:018-5.jpg?direct&600 |}}
 Based on the identity of its Nyingmapa patron, who is pictures in the lower right corner, scholars have dated this painting to the late 11th century. If correct, this is one of the oldest surviving Tibetan thangkas in the world. It shows Vajrasattva, considered by Tibetan Buddhism’s Nyingma Order as the “knowledge bearer” and intermediary through whom all teachings must pass into the human realm. He warmly embraces his consort, presumably Vajradhatvishvari, who wraps her legs around him from behind, and he holds in his hands the thunderbolt and bell, symbols of compassion and wisdom. Although usually described as white, the couple are oddly colored blue and green, but Vajrasattva is identified by an inscription, like all the deities and teachers that surround the central pair. This thangka’s sinuous forms, simple composition, perfunctory shading, and muted coloration reflect the strong influence that Eastern Indian art associated with the Pala Dynasty (ca. 8th-12th centuries) had on early Central Tibetan painting.  Based on the identity of its Nyingmapa patron, who is pictures in the lower right corner, scholars have dated this painting to the late 11th century. If correct, this is one of the oldest surviving Tibetan thangkas in the world. It shows Vajrasattva, considered by Tibetan Buddhism’s Nyingma Order as the “knowledge bearer” and intermediary through whom all teachings must pass into the human realm. He warmly embraces his consort, presumably Vajradhatvishvari, who wraps her legs around him from behind, and he holds in his hands the thunderbolt and bell, symbols of compassion and wisdom. Although usually described as white, the couple are oddly colored blue and green, but Vajrasattva is identified by an inscription, like all the deities and teachers that surround the central pair. This thangka’s sinuous forms, simple composition, perfunctory shading, and muted coloration reflect the strong influence that Eastern Indian art associated with the Pala Dynasty (ca. 8th-12th centuries) had on early Central Tibetan painting. 
 +
 +HAR网站对这幅唐卡有详细解释: https://www.himalayanart.org/items/8094
古比特佛像网, 编号: 金刚萨埵:金刚萨埵018
本页地址: https://fo.gubit.cn/金刚萨埵/金刚萨埵018.1592588737.txt · 最后更新: 2022/02/27 10:56 (外部编辑)

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