这里会显示出您选择的修订版和当前版本之间的差别。
后一修订版 | 前一修订版 | ||
金刚萨埵:金刚萨埵090 [2020/06/26 13:18] artemis 创建 |
金刚萨埵:金刚萨埵090 [2022/02/27 10:58] (当前版本) |
||
---|---|---|---|
行 15: | 行 15: | ||
Very finely cast seated in dhyanasana on a double-lotus base, holding the vajra against his chest and the ghanta at his hips, wearing a long flowing dhoti richly adorned with beaded festoons, rosette earrings and elaborate tiara, incised six-character Xuande mark at the front of the base and numeral 52 on the inside of the base\\ | Very finely cast seated in dhyanasana on a double-lotus base, holding the vajra against his chest and the ghanta at his hips, wearing a long flowing dhoti richly adorned with beaded festoons, rosette earrings and elaborate tiara, incised six-character Xuande mark at the front of the base and numeral 52 on the inside of the base\\ | ||
10½ in. (26.8 cm) high | 10½ in. (26.8 cm) high | ||
+ | |||
+ | Lot Essay\\ | ||
+ | While a gradual decline in quality is noticeable in the production of gilt bronzes towards the end of the Xuande period, this example still closely adheres to the Yongle idiom in style and refinement; for a closely related Yongle period example, see H. Uhlig, On the Path to Enlightenment, |